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A biannual publication offering insights into the use of digital historical collections

American Literature

Pirates, Spies and Dark Nights of the Soul: Entering the Wacky World of Early American Studies

A few years ago, a graduate student told me, "I'm changing fields. I'm switching to the wacky world of Early American Studies." A few weeks earlier, I had sent her to the microfilm rooms in the University of Minnesota's library with assignments she could complete only by plunging into documents...

"Behold and Wonder": Early American Imprints as a Tool for Students' Research

Teaching the history and culture of early America to undergraduates is challenging on many fronts. Students' familiarity with the best-known documents of the Revolutionary period can breed either contempt or a reverential awe indistinguishable from ignorance and boredom. The lesser-known material from earlier years presents formidable conceptual obstacles and seldom...

The Literary World of Early American Women: Using Digital Archives to Recover Allusions and Explore Influences

In the autumn of 1801, Susan Edwards Johnson of New Haven, Connecticut read several novels while visiting her cousin in New Bern, North Carolina. On November 27, Johnson recorded in her journal 1: "Began to read the maid of the Hamlet an indifferent novel, by the author of the Children...

Understanding the Contexts of African American Abolitionist Writings: Suggestions for Teachers, Librarians and Students Using Web-based Resources

Text-searchable historical resources provide students in African American studies classes with new techniques and opportunities to explore black-authored writings. Most early black Anglophone authors (1760 to 1860) wrote in a complex, allusive style, referring commonly to the King James Bible and contemporary Protestant sermons and less commonly, but still in...

"I am scholar—hear me roar! Primary materials rule." Students Test the Scholar in the Digital Archive

I love putting history on trial in my undergraduate courses. These students still typically think of history as finding, identifying or uncovering a set of hard facts, but, as Hayden White reminds us, history has a subjective dimension—historians construct claims, create narratives, interpret facts, build cases, possess agendas, have pre-dispositions...

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